Posts Tagged ‘ Vidoe games ’

Growing Up Gaming – Nintendo 64

I don’t recall the details of buying the Nintendo N64 as vividly as the prior systems and certainly didn’t get as many games for it. After all, the only console I can think of with a smaller library is the ill conceived Virtual Boy. I didn’t even play Super Mario 64 on the system, but there were some games I certainly did enjoy.

I got my first real FPS experience on the system with Goldeneye 007, aside from a bit of prior experience with Wolfenstein 3D on a friend’s PC. Despite that bit of experience, Goldeneye was the first I really played through and enjoyed, both for the single player campaign and the multiplayer experience. My friends and I played the 4 player battles enough that we invented our own games, such as 3 on 1 battles of “capture the base” (where in one level, the “base” was the restroom). While I still like Goldeneye, and had fun with Perfect Dark as well, I never really got into the FPS genre as a result of playing it.

Another shooter on N64 I liked was Star Wars: Shadows of the Empire, and I still prefer 3rd person shooters over FPS. Although the game was probably fairly ranked as an average game, it wasn’t bad and it did offer a chance to play in the Star Wars galaxy. I particularly liked the Hoth level and the final level with the chance to do some space battles.

But if we want to talk about “Star Wars” + “Space Battles” then Star Wars Rogue Squadron was the game to get. The entire game was excellent, from its own Hoth battle to the more on rails levels. IF any series needs a current gen entry, even a VR entry, it’s Rogue Squadron. An entire game in an X-Wing sounds much more intriguing than just a bit of DLC in Star Wars Battlefront.

But for the N64, even Star Wars has to step aside when it comes to space battles as my favorite game on the system is Star Fox 64. Essentially a remake of the game on SNES, Star Fox 64 feels like it is the presentation of what the initial game was intended to be. With more complete shapes and graphics, superior music, and a bit of actual voice acting, the game was truly a masterpiece that has sadly not been matched since (unless you count Star Fox 64 3D for Nintendo 3DS).

 

 

 

Of all this era’s games, Star Fox 64’s graphics still hold comparatively well.

The only other big game I have strong nostalgia for is Legend of Zelda: Ocarina of Time. The first game to let us explore Hyrule freely in 3D, but more importantly to let us do so on horseback! Truly, Epona was the real breakthrough for the Zelda series here. The other unique aspect I liked was utilizying four arrow buttons for the ocarina music. However, aside from these new additions, it was just an excellent game that brought everything great from the series to the still budding world of 3D graphics.

 

Seriously, even the opening & title screen said “It’s all about Epona.”

As is obvious by the shortness of the list, I didn’t play too many games for the N64 and while the small library is partially to blame, it’s really the diversity of Playstation’s line up that really reduced my gaming with Nintendo this generation. I did miss some good games, like Banjo Kazooie and Banjo Tooie, Conker’s Bad Fur Day, Kirby 64: The Crystal Shards, and a few others.

I will give an honorable mention to Mischief Makers, which was a pretty darn good side scroller I remember quite enjoying. I was particularly happy to add it back to my library a couple years ago.

That’s pretty much it for my N64 experience. Next up, I’ll take a step away from consoles and head over to the PC that dominated the next few years of my gaming with a little game a few people may have heard of called EverQuest.

Thoughts on Nintendo Switch

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Nintendo unveiled their new console, the Nintendo Switch, this week and the Internet has all sorts of reaction, as expected. Some are proclaiming the death of Nintendo (again). Unfortunately, investors are not convinced with the console either as stocks dropped after the system’s reveal event. Many are voicing worry that it will be a repeat of the Wii U’s underperformance and, to some extent, I am too.

A lot were thinking $250 was the smart, and likely, price point for the Switch. Instead, $300 gets the Switch console unit with dock, AC adapter, the Joy Con controllers and charging grip. However, once you add a game for $60 you’re looking at $360 to get started and $430 if you want to add a Pro Controller. What’s more, it’s a weaker system than Playstation 4 or XBox One. This could have still been appealing if it was released head to head with PS4 or XB1 at launch, but with those consoles currently priced around $250 with a game included, it’s a lot to justify. When the competition has a more powerful, current gen system, having one of the cheapest release prices in console history (when adjusted for inflation) doesn’t mean much.

On top of that, the accessories seem extremely steep. $70 for the Pro controller, $80 for extra Joy Con controllers, $30 for the charging grip, $90 for an extra charging dock set (if you want a second TV set up with one). If there’s a reason for the Pro Controller costing $20 more than the Wii U Pro controller (and a Dualshock 4), such as motion control or the advanced haptic rumble feedback like the Joy Cons, Nintendo needs to make it clear to make it seem like the value is worth the price.

Many are also marking a lack of games as a strike against it. 1-2 Switch seems like it should be the Wii Sports equivalent, packed in with the system, but it is a launch day game. Legend of Zelda: Breath of the Wild, Just Dance 2017, Skylanders: Imaginators, and Super Bomberman R are all launch day titles. It does strike me as odd that Nintendo didn’t make more of a showing of Bomberman R, though I’ve seen complaints that it has micro-transactions tied up in it.

Within the release month, Has-Been-Heroes, Snipperclips: Cut It Out Together, and I Am Setsuna are also releasing for the Switch. While I Am Setsuna is available on other systems, I’d be interested if Nintendo and Square Enix offered a physical release here. Still, that’s 8 games available in the first month where Playstation 4 had 26 and XBox One had 21 launch day titles.

There was a Wii vibe from some of the titles presentations, but I’ll admit with the high prices, the game line up, and the presentation, there is a Wii U performance vibe here.

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The fact that Nintendo didn’t come up with this themselves is also disappointing.

However, with the information provided, I heard some real excitement at work the next day from fathers who loved the idea of the games for family nights and the ability to go from TV to handheld. The battery life didn’t remotely phase them as they expected portable charger options to be available. If that spreads, the Switch could actually be more of a Wii, adopted by families and less of the “core gamer” crowd, than a Wii U.

But here is my opinion on what Nintendo needs to do to get some interest in Switch, as equally irrelevant as everyone else’s opinion!

Indie Games – Court them!
I thought this about the Wii U and I feel the same about the Switch. Since the console is less powerful than the other two on the market, Nintendo should make a strong effort to court the indie games that don’t need as much power. If Nintendo made themselves into the key console for indie devs, they could build a library that’s unique to them. Seriously, Nintendo should have secured a Wii U console exclusive of Undertale.

And even if it’s not a Switch exclusive, Nintendo could stand out by putting in the extra effort to of releasing those indie games in a physical release that are otherwise digital only. This may seem like a minor differentiating factor, but Limited Run Games has been showing there is a demand for physical releases of indie games.

Imagine if Nintendo had picked up Mighty No. 9 rather than it being a Kickstarter project. If the project had been developed with Nintendo involved, their quality requirements having to be met, would we have gotten a better product? After all, since Mega Man was a staple on the NES and SNES, I felt Nintendo should have been involved in getting Mighty No. 9 up to snuff and securing it as an exclusive.

Or how about another NES staple with Castlevania? Would it increase interest in the Switch if Nintendo had picked up Bloodstained: Ritual of the Night as an exclusive rather than that being a Kickstarter project?

In the same vein as indie developers, Nintendo needs to re-evaluate their handling of fan projects. While I understand the legal necessity to protect their IPs, they could take a look at these projects they’ve shut down and work out a deal with the creators to complete the project for Nintendo. Moreso, they could start a program allowing fan’s to submit passion projects to Nintendo for approval and release. If Nintendo could bring these creators on board and officially release the fan made Mario 64 HD  or the recent fan remake of Metroid 2: The Return of Samus, it could offer relatively cheap exclusives for Nintendo.

There has to be some middle ground for fan projects to meet with Nintendo. Just look at Sonic Mania, a passion project including team members who were working on a fan project high-definition remake of Sonic the Hedgehog 2. Having a program that encourages fans to submit their examples of levels or game work might find Nintendo new talent to bring on board.

Nostalgia & 3rd Party
One of the criticisms leveled at the Wii U is now being leveled at the Switch: lack of third party support. Some of the multi-platform games announced for the Switch are reportedly ports of last gen versions of the games due to the weaker power of the Switch. If the Switch doesn’t have the power to handle current gen games, they need to establish a unique niche that becomes a “must have” apart from what PS4 and XB1 offers.

The greatest strength Nintendo has is nostalgia, as recently demonstrated by the high demand for the NES Classic. They should capitalize on this with their new console as well. Not only do they have the nostalgia in their favor, but retro games are definitely in favor right now.

Rather than highlighting a lack of power, Nintendo could pursue third party developers to make exclusives, even if timed, that are lower cost and retro inspired. A perfect example is the XBox One’s upcoming Cuphead. Pursuing developers for these types of games while reaching back into their past library for inspiration could give them a good line up of new games. And if these games are cheaper to develop, a lower price tag on them could increase appeal. If Nintendo’s system costs as much or more than the competition, but the games were, on average $10 to $20 cheaper at retail, that could balance out the cost perception a bit.

Here are some Nintendo heyday series Nintendo could pursue convincing developers to bring back:

Adventure Island – Last seen as WiiWare, converting the original game to a 3D approach, Konami could come back to this series either as a classic style side scroller or keeping the 3D approach.

Adventures of Lolo – Another series that’s been forgotten, HAL Laboratory made Kirby and the Rainbow Curse on Wii U, so they still have a relationship with Nintendo. Lolo was a maze puzzler that would fit pretty well with Nintendo’s modern offerings.

Ghosts n’ Goblins – Though the original 8-bit and arcade versions have been re-released, a complete remake would be a solid exclusive. Staying true to the original difficulty, this could be Nintendo’s side scrolling “Dark Souls” of difficulty.

Ikari Warriors – SNK hasn’t done anything with this series since the NES. They were originally 2 player, but adding more enemies and really making the game chaotic could lend itself well to the Switch supporting 4 players, either on 4 Switch units for local co-op, or 4-way split screen could be loads of fun.

Capcom – Yes, we could long for Capcom to make another classic Mega Man that outshines Mighty No. 9, but no. Well, okay, if Nintendo could convince Capcom to make them an exclusive by the name of Mega Man Legends 3, that would get some attention for sure. But no, my thought was more towards a few remasters. Following the success of DuckTales Remastered, let’s get Rescue Rangers, Darkwing Duck, and TailSpin Remasters out.

TMNT – It’s been a while since the turtles had a good game and Mutants in Manhattan didn’t hit a home run. Either as a 3D approach or a classic side scrolling beat ’em up, Nintendo’s family gaming image might be a good fit to partner up with Nickelodeon for an approach at the four brothers.

Sparkster – Another longshot since it’s stuck in the depths of Konami, but perhaps Nintendo could pry it from their cold hearted fingers. I loved Rocket Knight Adventures and Sparkster and I don’t know why they never took off (pun intended). I’d love to see Sparkster brought back as a modern side scroller or as Nintendo’s contemporary to Ratchet & Clank.

Earthworm Jim 3 – Another title that hasn’t seen much attention other than a 2009 remake, Nintendo could do worse than to clench a new Earthworm Jim as an exclusive.

Samurai Jack – Ol’ Jack is on his way back to Toonami on Cartoon Network. Another potential partner for Nintendo to pursue, if they could land a deal to publish games based on this IP, it would be a decent win. With the new show said to be darker, it could offer a less “for kids” game for the Switch.

??? – This one will be a little difficult as it has the problem of no current developer or publisher, but Nintendo could go a long way if they could get a partnership deal with Disney now that Disney Interactive is defunct. Remember Aladdin and The Lion King on SNES? Smooth animation, tight controls, great music. Yet where was the game for Zootopia or Moana last year?

Staying in Disney’s court, where are the Marvel games? There hasn’t been anything in the MCU area since Captain America: Super Soldier from Sega. Aside from Lego Marvel Super Heroes, anyway. Where is X-Men Legends 3 or Marvel Ultimate Alliance 3? While these likely wouldn’t be Switch exclusives, having them on the system, if it was made, would be great fits for the multi-player that Switch promotes.

Mother Collection – Simply stated, if Nintendo would make a Mother Collection release for the Nintendo Switch, it would swell. At least to its fan base. If they’re that worried about it, they could do a limited first print run to gauge interest in the US with a 2nd print planned if the demand was there.

Nintendo’s Missing IPs
Nintendo has Legend of Zelda: Breath of the Wild at launch and Mario Odyssey slated for holiday 2017, but there are still a number of Nintendo IPs that need games lined up for Nintendo Switch.

Kirby – Almost a guarantee a Kirby game will release on Switch at some point.
Donkey Kong – Donkey Kong Country is on SNES, N64, Wii, & Wii U. It’ll happen.
Pokemon – With Switch’s portability, I’m sure it will get a Pokemon game. They may not want to step on Sun & Moon’s foot on 3DS just yet.

Metroid – I can’t really imagine Nintendo isn’t finally planning a new game in this series, likely in the Metroid Prime series. I have to think Nintendo will want to do one with the Joy Con controllers. If they are planning one, it would be wise to announce sooner rather than later.

Kid Icarus – Similar to Metroid, I think it might be interesting to see what the Joy Con controllers can do to emulate archery with the haptic rumble feedback. When was the last time Pit had a console game, after all?

F-Zero – Mario Kart has taken all the attention as Nintendo’s racer, but I’d like to see F-Zero come back on Switch.

Star Fox – Star Fox fans are still eager for a good Star Fox game whereas Star Fox Zero was really a Star Fox game built from testing the Wii U capabilities. Fake leaks suggested Star Fox 64 HD remake and that might actually be all Nintendo has to offer to satisfy fans. Personally, I’d like to see Star Fox move forward with a new story after Command. Pick an ending to make canon and go foward. I’d also like to see a little more depth brought to the story. Have Fox, Falco, Slippy, and Krystal piloting with Peppy as tactical advisor. Play up the mercenary basis and have them framed as traitors having to prove their innocence & bring down a new threat. Bring in supporting cast characters and implement cut scenes to actually make a story. Honestly, I’d even be okay with Star Fox Adventures coming back if that series went more towards Ratchet & Clank meets Zelda with more of a Star Wars style story. Or go 3rd person shooter mixed with flying levels like N64’s Star Wars: Shadow of the Empire.

Bravely Switch – Since Square Enix is developing for the Switch, I’d love to see I Am Setsuna get a physical release on the system and Bravely Third developed for it instead of 3DS. For that matter, Square Enix could bring Breath of Fire back to console.

The Big Deal – Super Mario RPG or…

Paper Mario has taken the place of Super Mario RPG, but I’d love to see Square Enix do another true Super Mario RPG sequel to Secret of the Seven Stars.

But going a step beyond that, I’d like to see Nintendo and Square Enix do a spiritual sequel: Super Smash Bros. RPG. Taking the page from Kingdom Hearts and mixing Smash Bros. cast with Final Fantasy characters for an RPG. If they come up with a good story, having these casts interacting could be fun. And they could negotiate to give us an entire line of Final Fantasy amiibos. Even splitting profits on those, I think the volume might make up for it.

The Nintendo Switch is never going to compete with the Playstation 4 nor XBox One and Nintendo shouldn’t try to. Their best bet is to establish themselves with a solid line up of games that make themselves unique and worth having. First party games alone aren’t going to be enough, as the Wii U showed. They need to get third party developers offering games as well, but not just ports that aren’t on par with the competition. If they can carve out some unique offerings, though, the Switch could still be an appealing console and with a price drop to $250, it could become an easy choice. Most gamers today are willing to drop the money for two consoles if both are offering enough unique experiences the other isn’t.

And also…cut the artificial scarcity nonsense. People want your product. Get into as many homes as you can before they get frustrated and decide to just pick up your cheaper competition.

What do you think Nintendo could do to make Switch a must have console apart and separate from the competition?

 

 

How Resident Evil’s Horror Could Survive

Capcom has been going in new directions with Resident Evil for a while now with mixed results.  After being one of the most well known series in the survival horror genre with Resident Evil 1-3 and Code Veronica, Resident Evil was always an anticipated release when a new installment was announced.  The Resident Evil REmake and Resident Evil 0 were well received on GameCube and a Resident Evil 2 REmake is one of the most fan requested games out there.

But with Resident Evil 4, Capcom switched to over the shoulder gameplay rather than the old clunky “tank control” scheme, yet 4 was still highly praised despite getting away from Umbrella Corporation’s T-Virus.  That warm reception wasn’t waiting for Resident Evil 5, which followed Chris Redfield and his new partner Shiva in Africa where the T-Virus’s origins were first discovered and Umbrella as fans came to know it was born (which las plagas from Resident Evil 4 still factored in).  Resident Evil 5 split fans as the game seemed to get further away from its survival horror roots and go more towards an action game.  Resident Evil 6 had fans hopeful with the apparent return to a city devastated by a new outbreak similar to Raccoon City, but while the game started with more familiar elements of survival horror, it started showing signs of action. When the game picks up with Chris Redfield, it’s more of that action game style with giants stomping through cities and battles of 2 men against tanks.  The final chapter takes it even further with motorcyles outrunning tanks and jumping over helicopters and a plane crashing into a city before a fresh outbreak of a new virus.

Resident Evil has been going bigger and bigger like a Hollywood action film. Explosions are more frequent than tense jump scares as Capcom has sought to pursue a more broad audience.  Left in its wake are the faithful fans who still long for survival horror like Resident Evil was built upon.

Resident Evil Revelations 2 is supposed to be a return to survival horror while still using the over the shoulder model and hopefully Capcom gets it right.  We’ll see how that pans out in February 2015, but in the meantime, here are a few things that I think Capcom should do with the series to get it back on track.

1. Start over but continue forward
Fans are familiar with the established characters of Resident Evil.  Chris Redfield, Jill Valentine, Rebecca Chambers, Leon Kennedy, Claire Redfield, and Albert Whesker are the familiar faces the series follows, but that may also be detrimental at this point as well.  These characters are likewise familiar with these events. While they tried to give Chris some PTSD elements, he’s overall able to push through and Leon has become so hardened to bioweapons he’s pretty much a specialist specifically for such operations.

For that reason, I think it’s time to get away from bioweapons being common and time for the old cast to step aside for new characters.  For Resident Evil 7, I would set the game about 5-10 years after Resident Evil 6.  After the incident in China, almost all nations around the globe unified to outlaw the research on bioweapons and aggressively hunted down any cells still continuing work from the days of Umbrella (and Neo-Umbrella was just a ridiculous name).  Essentially start the game in a world where the events of Resident Evil 1-6 are a dark mark in human history but no indication of such things have been seen for years now.

Set the game anywhere you like, though I would likely pick a more remote country – perhaps somewhere in South America. Perhaps an Interpol task force or a drug taskforce infiltrate a compound on information of a major drug production operation.  During the infiltration, something goes wrong and only a handful make it into the facility (yes, mirroring the set up of the original Resident Evil).  As they begin to investigate the facility, they find out a group has been doing research from the ground up based off Umbrella’s T-Virus and have successfully recreated it.  Thus we are thrown back into a game where the protagonist is just as terrified as the player is when creatures start coming at them rather than cool and collected and the player is dealing with claustrophobic corridors, zombie workers, undead dogs, spiders, rats, or whatever creatures you like, and a few mutants as well.  Perhaps you can even bring back a new version of Tyrant if you really wanted.

The key point is to get back to basics of the plot and have this scenario be completely new to the characters in the story so they have reason to be terrified.  Sure, people would have still heard of these things, but even 5 years after the China incident, a 25 year old operative would have been in college and possibly less than concerned with such events.  It yields itself for fear from the characters and if done well, that fear will be passed on to the player as the new research can be completely unknown and with enough variations the game can keep players unsure of what to expect.

2. Over the shoulder, under pressure

The over the shoulder perspective worked well in Resident Evil 4 and has worked well ever since on its own.  Slow moving zombies are easy to get headshots on when you’re able to aim reliably.  But 6 headshots only kills 6 zombies if there’s a dozen shambling towards you and your 6 shooter is slow to reload or worse, you only have 20 bullets to your name and have no clue what’s in the next hallway.

That’s a bit key to survival horror in my opinion.  Limited resources and inventory management.  In a game like Resident Evil 4-6 where you’re moving forward, I understand the need to suspend disbelief and have magical storage units that hold items, but having a dozen guns on your person is a bit much.  Bring back the limited inventory and the storage chests with their own limited inventory.  If the facility we’re in is designed so it makes sense, don’t even have the storage units share inventory and make players have to go back to retrieve what they stashed.

That sense of “did I bring the right weapon and do I have enough ammo” helps build tension as you open one more door or go down one more dark set of stairs.  In Resident Evil 6, having “enough” ammo was okay because you’d be able to blast through the zombies or monsters and collect more ammo from their body to keep blasting away.  In the old Resident Evil games, realizing you were at max capacity on two weapons and just found three more boxes of bullets actually instilled a bit of fear because “Why are they giving me this much ammo? Oh no, what’s about to come after me?!”

3. Bruce Lee doesn’t train zombie defense
This one is a problem we brought upon ourselves.  In the old tank control Resident Evil games, we were always grumbly about having to wildly swing a knife when we were low on ammo.  Why couldn’t we side kick a zombie in the chest? Why couldn’t we have any form of hand to hand combat?

Well, we eventually got it and it honestly made the games trivial enough that survival wasn’t a big deal.  Even without the abundance of zombies dropping ammo, you could conserve a lot by taking two shots and then giving a round house to splatter a zombies head, or deliver a running bulldog worthy of Rick Steiner from WWE.  If you can take out monsters without guns, why worry?

Having this be a new recruit on the team would make the idea of going hand to hand against creatures willing to bite your face off a bit outlandish.  And if they’ve only gone through basic hand to hand, they aren’t in a position to reliably fight off these creatures anyway, giving a reasonable excuse for removing the feature and putting us back to relying on our ever diminished ammunition and somewhat unreliable knife, or maybe a collapsible baton this time. Just cuz…

4. We can still acknowledge our favorite characters

Just because a new character is green behind the ears and about ready to soil himself over this horror he’s stumbled into doesn’t mean we can’t give him some reassurance now and then.  After managing to find a radio, you could get word out reporting what you’ve found.  Later on, your next opportunity to try and make radio contact could be none other than Leon Kennedy, Jill Valentine, or any other of the familiar characters. While not on site with you, they could offer some insight and advice to the new character, encouraging him to keep it together and make it through this alive while they marshal resources to get there.

5. And don’t go straight into the same problem again

At the end of the game, why not have the problem unresolved and even escalating?  Why not have the protagonist stop the researchers at the facility in this game only to radio into HQ at the end to tell them he’s found there are other facilities set up and something worse.  Our final scene could show that the virus has already somehow been spread to contaminate a nearby city.

And that easily sets you up to go right into Resident Evil 8 with an outbreak in a city just like Resident Evil 2.  And again like Resident Evil 2, why not go even worse than Leon’s predicament? Why not have a protagonist that isn’t part of any organization or organized force? Perhaps a retired police officer, or even just a random citizen trying to survive this.  You could have your new character from the previous game arrive and split the game between the two like the old games used to at times and you could again have our established characters remotely involved or arrive late.  For that matter, I’d have them running clean up and just a few steps behind to contain the situation before it gets out of hand so all their specialized skills and knowledge aren’t enough to prevent the horror from breaking out again.

I’d even consider it worth thinking about having each game take place with a new character who may come into contact with familiar characters, and only rarely have the game mostly focus on familiar characters arriving to work in a new location.

Conclusion:

I’ll admit some of this might come across as just re-visiting Resident Evil 1 and 2 with new characters and a new location, but I think that’s almost what Capcom should do at this point.  By going forward without a reboot, it lets fans of the series continue on while also introducing those old games’ style of survival horror elements to a generation that never played the old games.  A generation of gamers never played the Playstation entries and likely have no interest in doing so, which would make this a new experience for them while nostalgia would likely make these worthwhile, yet still different enough, to be interesting for old players.